Shofar Tones שׁוֹפָר

AUv3 instrument for iPad

A real ram's horn, in your music.

Shofar Tones plays the shofar: all five calls of Rosh Hashanah, and every note in between, in time with your song. Press a call, blow it by hand, play it in a prayer mode, or build a pattern, then sound it in a stone courtyard or a cathedral.

  • GarageBand
  • Logic Pro for iPad
  • AUM
  • Cubasis
  • Loopy Pro
  • Any AUv3 host
  • Or on its own
Coming to the App Store▶ Hear the calls
A ram's horn shofar
Shofar Tones on iPad: the five calls with Tekiah sounding, the blow pad, breath fader and keyboard, seven places, and Key articulation showing a crack

What is a shofar?

One of the oldest instruments in the world.

A shofar is a ram's horn, hollowed out and blown like a trumpet with no mouthpiece. It plays only a few notes, and the player's lips leap between them. Jews have sounded it for thousands of years: it's heard at Sinai and at the walls of Jericho in the Bible, and every year on Rosh Hashanah, the Jewish New Year, and as Yom Kippur ends.

On Rosh Hashanah it's blown in a handful of calls, again and again. Here they are, played by Shofar Tones itself.

תְּקִיעָהTekiah

One long, whole blast: a moment on the low note, then up.

שְׁבָרִיםShevarim

Three broken sounds, each low then high, like sighing.

תְּרוּעָהTeruah

Nine short blasts on one note, like crying.

תְּקִיעָה גְּדוֹלָהTekiah Gedolah

The great tekiah, held as long as the breath allows.

שְׁבָרִים־תְּרוּעָהShevarim-Teruah

The broken sounds, then the blasts, in one breath.

Recorded straight from the app, in its Sanctuary.

The calls

Every call, one press away.

Each call has its own button and its own key on your MIDI keyboard. Hold tekiah gedolah and the great note lasts as long as your finger does.

  • Fit calls to the tempo: each call fills whole beats and starts on one
  • Choose how far each call leaps from the low note, from a third to an octave, and hear each one with ▶
  • And how the lips get there: a break, a slide, or a crack
  • Low and high note lengths for every call
Each call's articulation: how far, and break, slide or crack, with a play button for each

Play it by hand

Blow it yourself.

The blow pad is your lips and breath. Touch and hold to blow, slide up to leap, move right to blow harder. How fast you move picks the leap: slowly slides, normally breaks, a flick cracks. Tap a second finger to tongue the note. Or play the keys: press near the front edge to blow harder, slide along a key for vibrato that deepens the further you go, slide sideways to glide.

  • A Breath fader for your other hand: harder is louder and brassier
  • Realistic: very soft breath sputters, very hard breath jumps up a note, as a real horn does
  • Sustain, Drone underneath, and Evolve, so a long note breathes and changes colour
  • Pad, Both or Keys gives either one the whole width
The blow pad with its instructions, the Breath fader from soft and mellow to hard and brassy, and the keyboard with the horn's own notes marked

Break, slide, crack

The lips, measured from a real player.

When a shofar leaps, the low note bends sharp, the sound loses its pitch for a moment, and the high note lands a little flat before it settles. Shofar Tones does each of those. Set how rough a break is, how slow a slide, how big a crack, and watch the pitch in Key articulation as it plays.

  • Keyswitches on C1 to F1 change the lips mid-performance
  • One breath, two notes: the leap never restarts the breath
Key articulation: Crack chosen, the pitch line leaping up from the low note

Scales

The horn's notes, or a prayer mode.

Scale sets what the pad and the keys play. Horn keeps the shofar's own three notes. Nusach plays Ahavah Rabbah, Magen Avot or Adonai Malach on any home note; Key plays major or minor. In a scale, the keyboard becomes one named key per note of it, so every key you touch belongs. Free plays any pitch at all.

  • The pad's bands become the scale's notes, with bends at each edge
  • Prefer a piano? One tap shows the whole keyboard, the scale in gold
  • Snap a MIDI keyboard to the scale too, if you like
Scale set to Nusach, Ahavah Rabbah on E, the keyboard across the whole width as scale keys from E4 to E6, each named, the home notes ringed

Sequencer

A pattern that stays on the beat.

Lay calls and notes on a grid of 8 to 64 steps. Every step can have its own leap, a roll of quick blasts, a chance of playing, its own lips and its own breath. In a music app the pattern follows the song, so it stays locked when the song loops or jumps.

  • Four patterns, A to D, with Copy to make a variation
  • Chain them in any order, and add swing
  • Save a pattern as a MIDI file for any DAW
  • In a music app it sends its notes out as MIDI to any instrument
The sequencer: patterns A to D, swing, Save as MIDI File, a two-bar pattern, and the first step open for editing

Places

Blow it anywhere.

Seven places, from right beside the horn to a cathedral. Five are recordings of how real spaces answer a sound: a church sanctuary in Nashville, a stone courtyard and a cathedral in York, a limestone gorge and a valley in England. The canyon, plaza and mountainside echo, and their echoes can land on the beat.

Great HallA huge, long hall
Desert CanyonEchoes off canyon walls
SanctuaryA synagogue sanctuary
MountainsideOne far echo, across a valley
Stone PlazaStone walls, open sky
HomeA room at home
CloseRight beside the horn
Horn size, extra breath, output volume, tone controls and each call's note lengths; tap any value to type it

MIDI keys and controllers

Your keyboard, mapped.

See your whole keyboard: the calls in gold, the keyswitches in blue, the horn's own notes dotted. Press a key and it lights up with what it does. Move any call or keyswitch with a tap.

  • MPE: on a Seaboard, LinnStrument or Osmose, slide to bend, press to blow, move up the key to brighten
  • A breath controller, mod wheel, expression or aftertouch all blow harder or softer
  • Pitch wheel range, velocity response and tuning (A4 = 415 to 466 Hz)
MIDI keys: a picture of the keyboard from C1 to C6 coloured by what each key does, the calls and keyswitches with their keys, and the controller settings

Where it fits

Shofar Tones is an Audio Unit instrument. Add it to a track in GarageBand, Logic Pro for iPad, Cubasis or Loopy Pro, or a channel in AUM, and play it from the screen or a MIDI keyboard. Its main controls show among your music app's own, and everything is saved with your song. Or just open the app and play.

Your MIDI keyboard or the screen→Shofar Tones→Your song

Sound the shofar in your next song.

Coming to the App Store